Palazzo Carignano
A Baroque design for the first Italian Parliament
The house of princes
A stone's throw from the central Piazza Castello, Carignano Palace is one of Europe's most important Baroque residences, a veritable treasure chest of artistic treasures, a memory of the Savoy dynasty and the Italian Risorgimento.
The construction
The history of Carignano Palace began in 1679 when, following the death of Duke Charles Emmanuel II, in the uncertainty over his succession, his cousin Emmanuel Philibert Savoy-Carignano decided to construct a building to represent the grandeur of his lineage, as if to put forward an alternative to the magnificence of the Royal Palace. The architect Guarino Guarini was therefore called in, and he designed a project that would forever shape the image of the Piedmontese Baroque style. The Palace had originally a C-shaped plan open towards the gardens and the stables -at what is now Piazza Carlo Alberto- and its core is the monumental oval atrium, from which the ceremonial path is articulated in the two lateral wings. Two impressive symmetrical staircases lead around the atrium to an elliptical hall that was once covered with a spectacular double vault. The curvilinear design of the interior architecture is reflected in the undulating development of the façade, echoing Gian Lorenzo Bernini's design for the Louvre in Paris. From the last decade of the 17th century, the apartments became an international inspiration for interior decoration. The Milanese Stefano Maria Legnani was entrusted with the painting of the vaults, which were frescoed with mythology-inspired pictures celebrating the prince; Pietro Antonio Garoe and Pietro Somasso provided the stucco decorations, anticipating the shapes of the French Rococo; Giovanni Luigi Bosso covered the rooms of the southern wing with carvings and mirrors, which were then called 'gilded rooms'.
From dwelling to Parliament
As two commemorative plaques recall, Charles Albert and his son Victor Emmanuel II were born in Palazzo Carignano. With the first one's accession to the throne (1831) and his subsequent move to the Royal Palace, a new chapter in the palace's history opened. Ceded to the State and emptied of its furnishings, which were transferred to the Royal Palace and to the Racconigi and Pollenzo Castle, in 1848 it became the seat of the Subalpine Parliament located in the old elliptical hall. When, after the Unification of Italy, that seat became too small, it was decided to enlarge the building to its present quadrangular shape, with a new façade facing Piazza Carlo Alberto. While waiting for the work to be completed, a temporary parliamentary chamber was built in the central courtyard: there, on March 17, 1861, Victor Emmanuel II promulgated the act that proclaimed the birth of the Kingdom of Italy. In 1865, the capital was relocated to Florence and the parliamentary chamber envisaged in the 19th century addition was never used. Since then, the palace became the seat of various cultural institutions; while the ground floor houses the elegant Apartments of the Princes of Carignano, since 1938 the rooms on the piano nobile have housed the National Museum of the Italian Risorgimento.
- 1679: Emmanuel Philibert Prince of Carignano commissions Guarino Guarini to build the palace in the south-eastern extension of the city
- 1683-1685: Gio. Francesco Baroncelli directs construction work
- 1798-1814: The French government turns the palace into the Prefecture of the Po department
- 1821: residence of Charles Albert, the Palace is the scene of liberal uprisings
- 1848: The palace becomes the seat of the Subalpine Parliament; Carlo Sada adapts the ballroom to become a Parliament hall
- 1864-1871: Domenico Ferri and Giuseppe Bollati demolish the old gardens and build the new wings to house the Italian Parliament hallv
- 1870s: The palace was the Museum of Natural Science until the beginning of the 20th century.
- 1884: Carlo Ceppi places the cartouche commemorating the birth of Victor Emmanuel II on the façade
- 2011: Opening of the Princes' Apartment to the public
- Today: The Palace is in handover to the Regional Museums Directorate of Piedmont (Ministry of Culture). The first floor houses the National Museum of the Risorgimento
- 1938. The National Museum of the Italian Risorgimento is housed on the piano nobile. The Midnight Apartment houses the Department of Fine Arts
Emmanuel Philibert of Savoy known as The Mute
the Second Prince of Carignano 1628 - 1709
Emmanuel Philibert of Savoy, the son of Thomas Francis of Savoy-Carignano and Mary of Bourbon and Prince of Carignano, was born a deaf-mute. The most renowned special school for deaf-mutes was in Spain, where the priest Don Manuel Ramierez knew a method for educating deaf-mutes on a par with able-bodied people. Emmanuel Philibert of Savoy learned to proficiently read and write and was therefore able to study several sciences. He developed such a talent for architecture that he aroused the admiration of Guarino Guarini and Antonio Bertola. At the age of 30, he also joined the army and became a colonel in the service of the King of France, Louis XIV, whom he dared to challenge. The King tried to impose a French wife on him, making him a puppet king should he become an unlikely heir to the Savoy throne. However, he chose the woman he loved: Mary Catherine d'Este, beautiful and cultured, from the cadet branch of the Dukes of Modena. He dared to marry her on November 7, 1684 in the Castle of Racconigi, which the architect Guarini, on his commission, had transformed into a villa of delights. King Louis was furious and demanded that the rebellious couple be exiled from Piedmont. Emmanuel did not seem to care. With his Mary Catherine, he went to live in Bologna. There he got to know the artistic environment attended by Legnanino. Then he invited Legnanino to Turin, to fresco the palace he had already commissioned to Guarini. However, he was not the first to inhabit it. He was preceded in 1684 by the young Prince Eugene, his valiant nephew. Emmanuel Philibert, arrived there in 1685 and died there on 23 April 1709, esteemed and honoured.